主演：让娜·莫罗,朱莉·加耶,Liliane,Rovère,皮埃尔·里夏尔,德尼·波达利德斯,洛兰特·道驰,马修·格克齐
导演：多米尼克·蒙法尼
简介：纳塔将满7岁，却一直不能识字。他对姑妈遗留给他的藏书失望不已。直到夜晚降临，书中的人物纷纷现身，告知纳塔他们面临永远消失的危险。于是纳塔投身于一场冒险，来拯救他的朋友和他们的故事。他来得及读出拯救他们的咒语吗？
主演：桑德里娜·博内尔
导演：雅克·里维特
简介：新浪潮老将里维特的雄心大作，分战争篇和监狱篇上下两部。本片以德莱叶和布列松为目标，希望成就新的经典。 传奇历史事件「圣女贞德」发生时，以文字记述事件流传出去的方式尚未普及，因此事件留下来的属于史实的原始记录非常的少。但是圣女贞德的故事，却不断出现在文学作品、舞台剧、歌剧（神剧）与各种电影版本中，这背后一定是有它的原因的。该片讲述圣女贞德从被俘，到被审判，直至最后被处死的过程。在1430年5月23日的一场小规模战斗中，贞德被俘虏了。当她下令军队撤退回贡比涅城时，她处在军队的最后方以确保所有人都退回了城里，但就在这时贡比涅城因为害怕英军跟着闯入，没等到所有部队撤回便将城门关下，贞德与剩余的后卫部队便遭到了勃艮第人俘虏。最后法庭总结了贞德的12项罪行指控，但这些指控都和在审判中的纪录相互矛盾。在各种方式逼迫之下，不识字的贞德没有意识到死刑的逼近，签下了一份她完全看不懂的公开弃绝书。贞德还有另外一个罪名：像男人一样穿衣服。这在1431年可是一项大罪。贞德在战场上穿的是甲胄，但是在军营里却穿的男装，据记载，她穿的是一种很短的灰色的束腰外衣，套在朱红布料做的、织的很密的长筒袜子上面。那个时候还没有橡皮筋，男子的长统袜的顶端都开有成对的扣眼，中间用绳子串起来系紧。一般人用七种以上的花色来系这种袜子，而贞德用了20种，而且还系得很紧。主要是为了保护自己“奥尔良少女”的身份。在监狱里，贞德宣称，没有紧身的袜子，她感到很不安全，她要和教廷抗争到底，准备接受自己的命运。后来，她被套上一身长袍。行刑时，她没有遗言，只是向敌人发出了嘲笑。死刑于1431年5月30日在鲁昂进行，目击者描述了死刑的那一幕。贞德被绑在火刑柱上，她不断的祈祷著，并向旁边的神父请求让她握著一个小十字架。
主演：Tatiana,Moukhine,桑德里娜·博内尔,Jean-Marie,Richier,Baptiste,Roussillon,Jean-Luc,Petit,Bernadette,Giraud,Jean-Claude,Jay,Olivier,Cruveiller,Benjamin,Rataud,Cyril,Haouzi,Réginald,Huguenin,Patrick,Adomian,Nicolas,Vian,安德烈·马尔孔,让-路易·里夏尔,马塞尔·博佐内,让-皮耶·罗利特,Jérôme,Nicol
导演：雅克·里维特
简介：A part of Joan of Arc's life. At the beginning, Jeanne (Joan) has already left Domremy, she is trying to convince a captain to escort her to moxia.cc the Dauphin. It ends during Jeanne's first battle, at Orleans. Meanwhile, Jeanne is depicted more as a warrior than a saint (all cliches are avoided), with only her faith for strength.
主演：何塞·加西亚,迈克尔·扬,伊莎贝尔·富纳罗,阿里·阿比唐
导演：迈克尔·扬
简介：来自中亚小国塔布里斯坦的木扎法（何塞·加西亚 José Garcia 饰）和弗鲁兹（迈克尔·扬 Michaël Youn 饰）本来是与世无争的牧羊人……但因为该国民选出来的当权者对法国窃取了本国发明了沙拉的声誉非常不满，随即产生了安排恐怖分子袭击埃菲尔铁塔以引起世界关注的狂想，于是木扎法和弗鲁兹二人加入训练营，完成各种学习并突破重重考验，当选为执行自杀式攻击的恐怖分子，为国争光。但二人的法国之旅充满了变数，当他们准备劫机时却因为机场地勤罢工而降落在科西嘉岛，随后又与独立分子、南部暴徒、罢工群众亲密接触，更经历了医疗事故和本国部长的要挟，在一位好心女记者的帮助下，他们终于踏上了前往巴黎的旅途……
主演：德尼·梅诺谢,瓦莱丽亚·布鲁尼·泰德斯基,达米安·勃纳尔,劳尔·卡拉米,巴斯蒂安·布永,娜迪亚·特列什科维奇
导演：多米尼克·摩尔
简介：一场暴风雪覆盖了通往法国偏远小镇的道路，一台空车停在路边，车主却不知去向。当地警方来到了小镇农场主人米歇尔的家中问话，米歇尔却显不耐；女主人艾莉丝一面对失踪事件感到好奇，但同时她更挂念着她的保险客户约瑟夫。年轻貌美的服务生玛莉咏在餐厅邂逅了谜一般的伊芙琳，两人很快陷入热恋。虽然年龄差距和身份地位都阻挡她们在一起，但玛莉咏靠着伊芙琳留下的只字片语，花了好几天徒步走到伊芙琳的家门前。然而等待她的却不再是床上满口爱意的那个人。看似意外的小镇事故却如蝴蝶效应般影响着来自不同地方的人们，一个不宁静的夜晚意外串接起所有人心里最深层的秘密。
主演：Danièle,Gaubert,Serge,Gainsbourg,Richard,Leduc
导演：Robert,Benayoun
简介：This film marks the directorial debut of Robert Benayoun. An artist (Richard Leduc) attending a party smokes some dope and develops the ability to see into the future and the past. He returns to his apartment where he sees the vision of a woman who had lived there 30 years ago. A friend tries to convince him it is his heightened sensitively as an artist that allows for the newfound abilities, but he soon has psychedelic hallucinations and his abilities increase with time. Stop-motion photography is effectively used in his sequence of visual experiences where the people exist but not the city in this metaphysical story.
主演：内详
导演：居伊·德波
简介：Voice 1 (male "professional announcer" type): This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned "subjective profundity". They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone): Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1: They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole "” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2: "Our life is a journey "” In the winter and the night. "” We seek our passage..."�Voice 1: The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2: There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl): No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1: The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2: One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1: When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment "ordinary life"� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant: nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2: The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3: The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1: In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2: Years, like a single instant prolonged to this point, come to an end.Voice 1: What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2: The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept?Voice 3: What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2: Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1: Really hard to drink more.Voice 2: Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation "” poor and false like this botched traveling shot.Voice 3: There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments? The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2: In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the point?Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：丹尼尔·居扬,Gilles,Chitlaphone,让·帕热斯,埃里克·阮
导演：拉契得·波查拉
简介：This movie is also called "Dust of life" in English and was made by Alex Bouchareb in 1994.In 1975, 3 kids decide to escape a reeducation camp in the Vietnamese equatorial forest near Cambodia where the Amerasians are imprisoned, tortured both mentally and physically. Son, the hero is sent in that camp after her mother fails to find his father to send him away to America.Search the web for the title to find more information. You can find the poster of the movie on cineposters dot com.Kind of reminds me of Papillon or the Killing Fields though maybe a notch down in terms of realization... This movie is based on facts from the after war.
主演：萝拉·克雷顿,斯坦尼斯拉斯·莫哈,阿黛拉·哈内尔,薇拉莉·邓泽里,Ferdinand,Régent,Barthélémy,Guillemard,安托万·夏佩,玛丽莲·坎托,瑟奇·伦科,弗雷德里克·皮耶罗,帕斯卡·切尔沃,米歇尔·莫雷蒂,Stéphane,Bouquet,Gaëlle,Obiégly,Thomas,Clerc
导演：Valérie,Mréjen,Bertrand,Schefer
简介：Iris, seize ans, vit la fin de son adolescence dans une petite ville de province lorsqu'elle rencontre par hasard Jean, un photographe parisien d'une quarantaine d'années. Au fil des rendez-vous, leur relation se transforme en une amitié amoureuse qui bouleverse leurs vies.
主演：内详
导演：托马斯·乔利
简介：开幕式于2024年7月26日举行，计划在巴黎的标志性地标——埃菲尔铁塔前进行。此次开幕式的设计和理念与以往不同，主办方将开幕式的主要部分安排在塞纳河沿岸，旨在打破传统体育场馆的界限，打造一个开放的、面向公众的盛大仪式。届时，运动员将乘坐船只沿塞纳河游行，这一创意既展示了巴黎的城市风貌，又能让更多观众近距离感受奥运会的开幕盛况。据悉，预计将有60多万人沿河观看这一独特的开幕式。此外，开幕式将包括传统的文艺表演、烟花秀、以及奥运圣火的点燃仪式。法国总统和国际奥委会主席将出席并致辞，宣布奥运会正式开始。
主演：Moon,Dailly,Claire,Thill,Lauren,Ashley,Carter,Jacob,Rosenbaum
导演：Antoine,Charreyron
简介：金波（杰弗里·埃文·托马斯 Jeffrey Evan Thomas 配音）是一个拥有神奇能力的少年，年岁渐长的他始终相信，他并不是独自一人，在这个世界上一定存在着许多和他相同的人，他想将这些人聚集在一起，将他们的能力用在对社会有益的方面。没过多久，5个和金波一样的神奇少年浮出了水面，在感到高兴之余，金波也发现，这些少年多多少少都曾因为他们的特异功能而受到排挤和欺辱。不久，悲剧发生了，某个暴力团伙袭击了这些少年，愤怒和恐惧打碎了少年们的理智，他们决定用他们的能力向带给他们伤害的这个世界进行报复。摆在金波面前的有两条路，一条是和少年们一起进行报复行动，另一条是站在少年们的对立面，保护世界的和平。面对这艰难的选择，金波动摇了。
主演：热拉尔·朗万,乔伊·斯塔尔,阿丽斯·塔格里奥妮,伊马诺尔·佩尔塞,西蒙·阿布卡瑞安,安托万·巴斯勒,乔·普雷斯蒂亚,塞勒姆·卡利,米歇尔·费拉奇,亚历山大·布拉瑟尔,菲利普·纳翁,安东·雅科夫列夫,阿马尔·维克德,马莱克·乌杰尔,雷杜昂·贝哈什
导演：法布里斯·度·沃尔斯
简介：文森（伊马诺尔·佩尔塞 Ymanol Perset 饰）表面看来只是一介平凡青年，却拥有着一身了得的射击本领，年仅二十五岁的他作为官方认可的枪械教官，深受业内同行的尊重和赞赏，前途可谓一片光明。某日，一位名叫米罗（乔伊·斯塔尔 Joey Starr 饰）的警察出现在了文森的身边，殊不知他的所作所为将会彻底改变这位青年的命运。接二连三的意外让文森被迫处于争斗的漩涡中心，不断沉浮于阴谋和罪恶之中。特警队指挥官查韦斯（热拉尔·朗万 Gérard Lanvin 饰）和行动大队指挥官德纳尔（西蒙·阿布卡瑞安 Simon Abkarian 饰），两人之间的矛盾已经到了无法调解的白热化程度，他们一位是文森的保护者，一位是他的师父，身陷在恶斗的中心，文森将会作出怎样的选择？
主演：伊莎贝尔·于佩尔,碧翠斯·黛尔,帕特里斯·夏侯,罗纳·哈特纳,莫里斯·贝尼舒,奥利维埃·古尔梅,布里吉特·罗安,卢卡·比斯孔贝,Hakim,Taleb,阿娜伊斯·德穆斯蒂埃,塞尔日·里亚布金,Maryline,Even,弗洛伦斯·卢瓦雷·卡耶,布兰科·萨马罗夫斯基,丹尼尔·杜瓦尔
导演：迈克尔·哈内克
简介：伊莎贝尔·于佩斯饰演的安娜，一家四口从城市逃难到乡下，发觉自己的村屋给人占去。争执中丈夫被杀，安娜带着子女流离失所，途中儿子还给一流浪少年扣留。后来到了一个火车站，很多人在苦候，望火车把他们带到安乐郷。安娜听说有一班宗教义士，奉献自己以拯救人类，连她儿子也甘愿受祭。人在极端环境里不见得只剩下狼性。汉尼卡的风格有份严峻之美，正为杜绝滥情，从人之不仁中发现希望。
主演：雅克·维列雷,安德烈·杜索里埃,蒂埃里·莱尔米特,伯努瓦·马吉梅尔,Suzanne,Flon
导演：让·贝克
简介：普泽（雅克·维列雷 Jacques Villeret 饰）是当地一名受人尊敬的小学老师，他还有另一个身份——小丑。一到星期天，他就带上家当，在戏团里表演令人捧腹的小丑独角戏。儿子鲁西恩十分不理解他这种行为，觉得父亲的表演令他难堪。普泽的好朋友安德（安德烈·杜索里埃 André Dussollier 饰）看出了鲁西恩的心思，于是向他讲起了一段往事。二战期间，在法国的一个小镇上，普泽和安德为了讨好他们心仪的一个姑娘，决定当一回抗战英雄。夜里，他们把德军占领的铁路设施炸毁了，同时也炸伤了一名法国老工人。不久，德军为了揪出凶手，就随机抽取四个本地男人作为人质，如果真凶不来投案，就枪决人质。不幸的是，普泽和安德也被抽中。人质被囚禁在一个深坑里，就在他们又冷又饿之时，坑口上出现了一个德国士兵。他对着四人做出各种滑稽动作，还把食物扔给他们，他说自己以前是马戏团里的小丑……
主演：Serge,Renko,卡特琳娜迪达斯卡鲁,谢丽埃勒·克莱尔,阿曼达·朗格勒,埃马努埃尔·萨兰热
导演：埃里克·侯麦
简介：以上世纪西班牙內战为背景的政治惊悚片，前沙皇将军菲欧多带着妻子移居巴黎后，过着神秘的生活，在公产主义者受到压制的法国，菲欧多却公开声称自己的真实身份是间谍，而且是个三重间谍，同时服务于俄国的白军和红军，甚至德国的纳粹军。1936年的欧洲，正值西班牙内战时期。身为前任沙皇军队将军的费欧多携着他年轻的希腊妻子阿茜诺一同移居巴黎。法国人对战争漠不关心，只管取笑西班牙人。阿茜诺同情她的共产主义邻居，费欧多的态度却很暧昧，他频繁地外出，谁也不知道 他去了哪里，做了什么，他还公开宣称自己是间谍。他究竟是为谁工作的？他是忠于沙皇的白军？红军间谍？纳粹分子？还是个三重间谍？
主演：莎拉·阿德勒,娜德·蒂约,Rony,Kramer,Simon,Eine,让-克里斯托夫·布维,George,Aguilar,Ferlyn,Brass,Leticia,Gutiérrez,Aline,Schulmann,让-吕克·戈达尔,胡安·戈伊蒂索洛,Mahmoud,Darwich,Jean-Paul,Curnier,Pierre,Bergounioux,Gilles,Pecqueux,拉娜·巴里奇,Sanja,Buric,Alena,Dzebo
导演：让-吕克·戈达尔
简介：Divided into three "kingdoms" -- Enfer (Hell), Purgatoire (Purgatory) and Paradis (Paradise) -- Notre Musique is an indictment of modern times.頑皮老頭高達在新作挑釁如常，堅持如舊，對電影愛情如一，但從形式到內容，卻續有新境。比前作《愛之頌》更練達更擊中要害，是他近年最激的反思作品。三段結構的開篇〈地獄〉，戰地實錄與荷里活戰爭片交替，寓意彰甚：人類真會嗜戰。〈煉獄〉借薩拉熱窩做說書人，真實與虛構人物（包括高達自己）到此舉行文化圓桌會議，大家在寬恕迷宮中兜轉，唯有佇立已修復的莫斯塔古橋，才感一絲希望。高達最後領我們到〈天堂〉，人間竟有春色如許？但-有美軍駐守！全片最動人一幕：學生問 DV 可否打救電影？高達哀哀面向鏡頭，良久不語......
主演：艾美达·斯丹顿,理查德·格拉翰,埃迪·马森,吉姆·布劳德本特,莎莉·霍金斯
导演：迈克·李
简介：故事发生在1950年的英国，战争给城市造成了巨大的伤害，在一片混乱中，一个名叫薇拉（伊梅尔达·斯汤顿 Imelda Staunton 饰）的女人与丈夫和儿女们勉强过着平静安定的生活。表面上看来，维拉是一个清洁女工，但一个秘密被深深的隐藏在她的心底。在空余的时间里，薇拉会通过好友莉莉（鲁斯·西恩 Ruth Sheen 饰）提供的手术室，帮助在战时怀孕的妇女堕胎，而之一举动在当时的英国是违法的。雷吉（埃迪·马森 Eddie Marsan 饰）的加入为薇拉的家庭又增添了一份快乐，他和薇拉的女儿埃塞尔（Alex Kelly 饰）的婚礼让所有人的面孔上都蒙上了喜气。在婚礼进行之时，门被敲响，可是，到来的并非友好的祝福，却是警察的逮捕，薇拉的所作所为被公之于众。
主演：玛丽昂·歌迪亚,西尔维·泰斯蒂,帕斯卡尔·格雷戈里,艾玛纽尔·塞尼耶,让-保罗·卢弗,热拉尔·德帕迪约,克洛蒂尔·蔻洛,让-皮埃尔·马丹,卡特琳娜·阿莱格雷,马克·巴贝,卡罗利娜·西奥尔,玛侬·舍瓦利尔,宝琳·布雷特,卡罗琳·雷诺,安德烈·彭文,西莉亚·马基,哈利·海顿-佩顿
导演：奥利维埃·达昂
简介：有着“小云雀”之称的法国国宝级歌手艾迪特·皮雅芙（玛丽昂·歌迪亚饰），她有着传奇的一生。皮雅芙的童年颠沛流离，先是被母亲抛弃，然后被父亲送到妓院由祖母抚养，随后在父亲从军队退役后，又被强行带走随马戏团演出生活。再之后皮雅芙跟随父亲卖艺为生，街头初啼并到成为一名酒吧卖唱的 少女。正式登台的皮雅芙顺利成为一名歌喉迷人的明星，演唱了许多脍炙人口的歌曲。然而她的情感却一再受挫，尤其是和拳击手马塞尔（让-皮埃尔·马丁斯饰）的情感经历。她的晚年每况愈下，最后死于肝癌。
主演：Omar,Sharif,伊莎贝尔·阿佳妮,伊莎贝尔·阿佳妮,Isabelle,Adjani
导演：François,Dupeyron
简介：15岁的以色列小男孩莫塞斯（Pierre Boulanger 饰）和父亲（Pierre Boulanger 饰）住在巴黎蓝色大道一幢贫穷脏乱的公寓中。母亲（Isabelle Renauld 饰）离家出走，父亲整天沉迷于书本，还编造出一个并不存在的优秀的哥哥打击莫塞斯。本该享受童年快乐的小男孩压抑阴郁，在附近的流莺献出了自己的第一次。莫塞斯去附近的土耳其穆斯林亚伯拉罕先生（Omar Shariff 饰）的杂货店里偷盗，被亚伯拉罕发现。和蔼的老人原谅了眼前这个小男孩，并亲切地向他传授知识，一老一少从此展开一段弥足珍贵的忘年交……
主演：娜奥米·沃茨,劳拉·哈灵,安·米勒,贾斯汀·塞洛克斯,斯科特·科菲,梅利莎·乔治,布兰特·布里斯科,罗伯特·福斯特,凯瑟琳·汤,李·格兰特,比利·雷·赛勒斯,查德·艾微特,丽塔·塔格特,詹姆斯·凯伦,洛里·海瑞,安哲罗·巴达拉曼提,迈克尔·德·巴雷斯,马库斯·格雷厄姆,丹·哈达亚,马克·佩雷格里诺,蒙蒂·蒙哥马利,迈克尔·J·安德森
导演：大卫·林奇
简介：深夜的穆赫兰道发生一桩车祸，女子丽塔（劳拉·赫利 Laura Harring 饰）在车祸中失了忆。她跌跌撞撞来到一个公寓里藏身。一名男子说他常常梦见一个叫云奇的地方，那里有个恶魔盯着他。于是就来到云奇，果真见到墙后有怪物出现，男子当场晕死。另有一名杀手杀死了他面前 的男人，然而蹩脚的他却惹来了不少一连串的麻烦。故事回到一个刚到好莱坞“寻梦”的女子贝蒂（娜奥米·沃茨 Naomi Watts 饰），她的姨父姨母在电影圈有广泛人缘，让贝蒂的发展如虎添翼，试镜大受好评。同时，她所住的公寓，正好是丽塔藏身之地。贝蒂收留了丽塔，二人感情融洽。面对记不起自己是谁的丽塔，贝蒂决定帮助她寻找回自己的记忆。一名导演想自己决定新戏的女主角，却被他人强行安排人选。工作不顺意的他还发现妻子和清洁工睡在一起。这些看似松散的事件，就像一个迷宫，引向一个让人猜不透的世界……
主演：伊莎贝尔·于佩尔,阿尔芭·罗尔瓦赫尔,玛雅·珊萨,托尼·塞尔维洛,米凯莱·里翁迪诺,吉安马可·托格纳奇,法布里奇奥·法尔科
导演：马可·贝洛基奥
简介：这部影片改编自真人真事，该事件在意大利可谓是人尽皆知。一名名叫艾伦娜-恩戈拉罗的年轻女子的生命将在17年的植物人状态之后结束，而意大利全国也因是否让其安乐死这个问题引发了一场争执。影片则通过几个拥有不同信仰和身份的角色来看待这个事件。一名参议员纠结于自己是否要为一项不赞同的法律投赞成票，他的良心和他对于自己党派的忠诚让他深陷矛盾之中。他的女儿玛丽亚则是生命维护主义者，她一直在艾伦娜就诊的医院前进行抗议。罗贝托兄弟则与玛丽的意见恰恰相左，但阴差阳错之间罗贝托与玛丽亚竟然陷入爱河.。.这是一个有关生命的议题。-
主演：斯嘉丽·约翰逊,摩根·弗里曼,崔岷植,阿马尔·维克德,朱利安·林希德-图特,皮鲁·埃斯贝克,安娜丽·提普顿,詹·奥利弗·施罗德,弗雷德里克·周,克莱尔·陈,塞德里克·舍瓦姆,沃尔夫冈·皮索尔斯,邵斯凡,保罗·陈,林暐恒,邢峰,徐灏翔,塞缪尔·丘林,李淳,吕克·贝松,高靖榕,克里斯多夫·泰克
导演：吕克·贝松
简介：被恶德男友强迫帮人送货的年轻女子露西（斯嘉丽·约翰逊 Scarlett Johansson 饰），遭遇了穷凶恶极的黑帮头目张先生（崔岷植 饰）一伙。她连同三个男人被张先生在腹部缝入了代号为CPH4的神秘药品，以此将药品偷偷带入不同国家。在台北盘桓期间，露西遭到恶男暴打，以致药品破裂进入血液之中。谁知令人难以置信的事情就此发生，药品激发了露西大脑的潜力，令人脑中约90%的神经元相继苏醒。伴随着身体的飞快进化，露西掌握了越来越多人们所谓的超能力。她清楚地了解到CPH4所拥有的强大威力，于是想方设法要阻止其他三袋药品落入张先生一伙手中。期间她试图与大脑研究方面的资深教授塞缪尔·诺曼（摩根·弗里曼 Morgan Freeman 饰）取得联系，在后者的见证下，露西将迎来大脑100%苏醒的历史性时刻……
主演：凯德·麦拉德,塞西尔·德·弗朗斯,路易多·德·朗克桑,塞德里克·本·阿卜杜拉
导演：泽维尔·吉亚诺利
简介：马丁（凯德·麦拉德 Kad Merad 饰）只是一介普通工人，日复一日的枯燥生活乏善可陈。就是这样一个平凡的男人，最近却发现自己似乎成为了众所周知的“超级明星”。走在街上，人们纷纷向他行注目礼，问他索取签名和合照，可问题在于，就连马丁自己也不知道，自己究竟是因为什么而如此出名。突如其来的知名度让马丁感到很不习惯，可是，很快他就发现，自己越是回避，躲闪，认得他的人反而越来越多。与此同时，无孔不入的媒体和记者也让马丁感到有些招架不住。成名究竟为马丁带来了什么？是虚荣心的满足还是私生活的曝光？马丁唯一可以确定的是，从前单纯快乐的日子似乎一去不复返了。
主演：杰瑞米·雷乃,朱莉·德帕迪约,亚历山德拉·拉米,卢德维克·伯特希尔克
导演：艾力克·吉哈多
简介：Marilyne et Bruno Caron arrivent dans un village de montagne pour emménager dans un chalet qu’ils ont loué à Patrick Castang, promoteur et propriétaire de nombreuses habitations dans la région. Contents de quitter le nord de la France pour démarrer une nouvelle vie, ils acceptent sans sourciller quand Castang leur annonce qu’il va les loger momentanément dans un autre chalet de grand standing car le leur n’est pas terminé. S’ensuivra alors une succession de déconvenues qui va les conduire à déménager de nombreuses fois, avec le sentiment grandissant d’être traités sans aucune considération, alors même que les Castang multiplient patiemment et avec bienveillance les efforts envers eux. Les relations entre les deux familles vont se tendre. Bruno et Marilyne Caron ne supportent plus d’avoir sous leurs yeux le bonheur et l’abondance de biens des Castang.Leur amertume, alimentée par la jalousie, l’envie et la frustration, finira par devenir de la haine.
主演：莱拉·贝蒂,弗莱德·泰斯托特
导演：Jean-Luc,Perreard
简介：Première françaisePremière oeuvreJean, 35 ans, habite encore avec sa mère dans sa petite ville de Corse et travaille comme cuisinier dans le restaurant familial. Son avenir, à son grand désespoir, est tout tracé : reprendre le restaurant. Mais un jour, Nora, jeune femme de caractère, est jetée à la mer depuis un voilier de course. Elle échoue sous les yeux de Jean. C’est l’aventure qui frappe à sa porte. Une nuit très mouvementée commence : une promenade en voiture avec une femme aussi imprévisible que séduisante, qui va l’entraîner bien loin de chez lui… Jean-Luc Perreard fait son entrée dans le long métrage de fiction avec une comédie romantique coécrite par Pierre Salavadori et Jacques Monnet. Explorant le sujet de l’éternelle confrontation entre l’amour et la raison, il entraîne ses deux héros dans un questionnement universel sur les choix de la vie et ce qu’ils entraînent d’imprévu, de déstabilisant, d’aventure et d’évasion. Un couple inattendu et savoureux, incarné par Fred Testot (complice d’Omar Shy sur Canal +) et Leïla Bekhti, qui font preuve tous deux une maturité d’acteurs épatante.---1h30 / numérique / couleurScénario : Pierre Salvadori, Jacques MonnetInterprétation : Fred Testot, Leïla Bekhti, Jean-François Stévenin, Laurent FernandezProduction : Elia Films / Mars FilmsImage : Marc KoninckxSon : Yves ComeliauDécors : Samantha GordowskiMontage : Joséphine PetitMusique : Eric NeveuxCostumes : Emmanuelle YouchowskiDistribution : Mars DistributionFilm présenté : Festival international du film de comédie de l’Alpe d’Huez 2011.
主演：Marie-Claire,Olivia,Yvonne,de,Bray
导演：Jacqueline,Audry
简介：大概是法国第一部描写女同志的故事片吧。Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.
主演：Emile,Abossolo,M'bo,Youssouf,Djaoro,Dioucounda,Koma
导演：马哈曼特-萨雷·哈隆
简介：亚当（Emile Abossolo M'bo 饰）曾是一名非常优秀的游泳运动员，还得到过冠军的荣誉，如今，年近60的他早已经告别了赛道退出舞台，现在的亚当，是一家豪华酒店里的泳池救生员。因为酒店经营不善，导致遭人收购，被收购之后，一切亚当早已经习以为常的事情都开始发生了变化。首当其冲的就是他遭到了变相的解雇，需要将职位拱手相让给自己的儿子阿比代尔（Youssouf Djaoro 饰）。这个国家此时正在进行残酷激烈的内战，政府强制性的规定每一家都必须出钱或者出力。亚当一贫如洗，想要出钱是不可能的，那么，他就只剩下阿比代尔可以“奉献”给他的祖国了。
主演：维尔日妮·埃菲拉,罗什迪·泽姆,雅米·库卓,齐雅拉·马斯楚安尼,米雷耶·佩里耶,塞巴斯蒂安·普德鲁,弗雷德里克·怀斯曼,Victor,Lefebvre,Antonia,Buresi,Henri-Noël,Tabary
导演：丽贝卡·兹罗托斯基
简介：Rachel a 40 ans, pas d'enfant. Elle aime sa vie : ses élèves du lycée, ses amis, ses ex, ses cours de guitare. En tombant amoureuse d’Ali, elle s’attache à Leila, sa fille de 4 ans. Elle la borde, la soigne, et l’aime comme la sienne. Mais aimer les enfants des autres, c’est un risque à prendre…
飘花电影网提供高清无删减电影大全、动漫动画、综艺节目、热播VIP电视剧全集免费在线看
Copyright © 2025 jingxishafa.com All Rights Reserved
蜀ICP备2025075712号-8